I hear what you are all saying, but try to look at it like this…
(NOTE: A lot of this information I gathered from an article written in the Village Voice written back in the 80s by author Carol Cooper reprinted in the book And It Don’t Stop! Which I whole-heartedly agree with so don’t call me out for admittedly paraphrasing what this article states)
“(Hip House is) crossing barriers – musical, sexual, national, and conceptual. Anyone with a good sense of rhythm can do it: women, foreigners, whites. Yet this utopian inclusiveness is still subject to the bigoted world hip-house kids theoretically reject, gay straight, and multiethnic, this is the mixed demographic no record company dared to predict – and one that an international underground of DJs/producers labored years to create.”
“Its origins here in Gotham date back to 87, when the last few all-rap clubs were closing because of constant eruptions of violence. While rap spaces dwindled, more and more straight kids found themselves dancing at house clubs catering to a more subdued gay aesthetic.”
“…by 87, DJ Producer Todd Terry finally got one of his edited tape reels pressed up to a volcanic piece of vinyl called “Party People. …(sampling) Marshal Jefferson loops and Afrika Bambaataa’s “party people” from Planet Rock. Rap kids loved it because it paid homage to Bambaatta…(house- heads) liked the odd energy emanating from a syncopated backbeat that resembled a drunken rumba more then a traditional house 4/4 beat. A unifying hip house prototype was born.”
”…in the coming together of any of two established genres there is a scary period where artists worry if their fans will accept their adoption of the sound. (for example) Big Daddy Kane’s “The House that Cee Built”…to hedge against being tagged a collaborator with the gay underground, Kane undercuts his LP’s house track with a “fagg*t” lyric in another song on that album “Pimpin’ Ain’t Easy”
”So is Hip House the next phase of rap or the next phase of house? To which lineage does it most rightfully belong? That answer depends on who you ask…a member of rap orthodoxy (MC) or a (house-head)” (me - I am asking Hip Hop Heads, right?.)
”(It depends on if it is a) mainstream artist reaching down to an underground fad in a parody of street credibility or an artist who still inhabits that underground helping to reinvent it.”
”For anyone that (produces hip house) there are only two valid approaches (me - ONLY 1 valid approach if retaining the street credibility of Hip Hop) -- …Hip house that uses conventional song structure (proving that it is possible to get very sophisticated with street music and still have enough balls to tear up the dance floor)
(for example, with Jungle Brothers – “I’ll House You”)... the JBs execute not only verbal hooks but complete verses, bridges, turnarounds, and choruses, all laced with a satirical edge that still makes it have the funniest lyrics of its kind.”
So, after referencing this author’s view-point, (she puts it more eloquently), we go back to my question…
I am asking…
AS A WHOLE (INCLUDE ALL THE HOUSE ARTISTS FAKING HIP HOP, AND INCLUDE ALL THE LEGITIMATE HIP HOP ARTISTS DABBLING IN HIP HOUSE WITHOUT SACREFICING THEIR STREET CREDIBILITY INHERENT TO RAP MUSIC)…
Is Hip House AS A WHOLE a legitimate form of Rap?From what music I have personally heard, I’d say Hip House belongs more under the House\pop even R&B\pop umbrella moreso then Hip Hop music from back in the day (and still now for that matter) I realize I am asking you to generalize the whole genre based on your knowledge of all the hip house songs you have heard, which is clearly subjective, but it is what it is. Hip House is clearly a Frankenstein monster either way, but it’s acceptance amongst trueschoolers is definitely debatable. We won’t put it to rest here either, but we can try.